Couple things that make me disagree with a FEW parts:
1) For double bassers, a lot of the time a high throne is preferable considering the kind of movement you do. Outside of a few guys like Paul Mazurciewicz and Gus Rios, most guys on double bass setups have their thighs at quite at an angle. Look at Gene Hoglan or Daray from Dimmu Borgir
2) Playing with my forearm parallel to the floor is tiring as all get out, which results in a low snare.
3) A low hi hat is going to result in some hellacious knuckle-stick interactions unless it's far enough out to the side that your wrists are physically in line vertically. Try a cross-handed blast beat with a low hat. Ouch.
4) The flat tom thing works only if we accept that all strikes are made with forearm parallel to the floor and stick extending straight out. The key is a straight strike with the stick. Your toms could be vertically mounted and if they're up high it would be easy to make sure the strike is at the proper angle.
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